Swinburne Stomp (Fugs)

Thank you, commenter M.J., for inadvertently reminding me of where I picked up the phrase “metaphysical distress.” It was from Ed Sanders’ introduction to a recording of the Fugs’ “Swinburne Stomp” from their 1965 debut album, to wit:

“In the key of metaphysical distress, the Swinburne Stomp!”

Be sure to listen to the whole performance, which features an amazing ending. (Here, by the way, is Algernon Charles Swinburne’s Wikipedia page. I imagine he experienced a great deal of this condition.)

At any rate, in early 1965 I was burning with desire to have this album. An older beatnik friend urged me to write to the record company (ESP Disk) in New York City and order a copy. That’s what you had to do back then, because such records were never found in Austin record stores! He had a tiny little ad he’d clipped out of the Village Voice—I doubt you have any idea how hard it was to come by that publication in Central Texas at the time—so that’s exactly what I did, of course, and I still have it in the storage unit somewhere. I soon became a huge Fugs fan and collected a number of their LPs. My favorite song was probably “Kill for Peace“—this and many others definitely NSFW—although there are so many gems.

The Fugs figured in my life in other strange ways. When I was a Wharton County Junior College instructor in Texas during the first Nixon administration, I learned that the Fugs’ drummer, Ken Weaver, had attended the place a few years before. How I found out is lost to me, but I even discovered his name carved into a wooden desk in my classroom. What an astounding “coincidence.” I actually wrote to him through the record company and he wrote back, expressing deepest sympathy for my Vietnam War exile in that ghastly place and promising to “smoke a bowl of dope” for me. (Made my year and saved my life, by God—just ask my ex-wife, if you can find her.) Many years later in Maryland, I met a woman who’d gone to school in Vermont and attended a number of Fugs gigs in sleazy college bars in Massachusetts. Oh, man. Driving through the snow on LSD, drunken lunacy, and fight the system. I wasn’t there but might as well have been.

The point of this, believe it or not, is changing the world by living your own truth. By accepting that you are different and it’s all right

John Hamilton Farr lives in Taos, New Mexico, U.S.A. with his classical pianist wife. “Possibly the only place I can get away with this,” he says. As New York Times best-selling author James C. Moore (Bush’s Brain) put it in a review of John’s first book, Buffalo Lights is the work of a man attuned to the world who sees it differently than you and I and writes about it with a language and a vision of life that is impossible to ignore.” John is the author of BUFFALO LIGHTS, TAOS SOUL, ANOTHER DAY IN PARADISE, and THE HELEN CHRONICLES. He has been publishing online since 1996 (Zoo Zone, Farr Site, MacFaust, GRACK!, FarrFeed) and blogs regularly here at JHFARR.COM. See also → John’s Twitter profile, Amazon Author Page, video channel at YouTube, and website photos at SmugMug. To email John, please see CONTACT INFO on About page.  

  • Judy Copek December 7, 2016, 2:50 PM

    I don’t know how I first heard of the album, probably the Village Voice which I read with a certain intensity. Somehow, in suburban Chicago, we acquired the album. My youngish sons were fascinated and learned some of the songs. They sure did like “Boobs a Lot” and others. I finally gave all my Fugs records to my oldest. They had real humor and were so much fun, esp. in oh-so-proper suburbia.
    Thanks for the memory.

  • Frank Powell December 15, 2016, 10:43 AM

    my buddy had that album I can’t believe there’s another one
    out there

{ 2 comments… add one }

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